quinta-feira, 19 de setembro de 2013

Uma arte por dia #05

(clique no título acima para ver a postagem completa)

Nelson Freire toca  Moonlight Sonata de Beethoven.

(de arrepiar!)





The first edition of the score is headed Sonata quasi una 

fantasia, a title this work shares with its companion 

piece, Op. 27, No. 1.[2] Grove Music Online translates the 

Italian title as "sonata in the manner of 

a fantasy".[3] (Directly translated "sonata almost a fantasy").

The name "Moonlight Sonata" has its origins in remarks by 

the German music critic and poet Ludwig Rellstab. In 1832, 

five years after Beethoven's death, Rellstab likened the effect 

of the first movement to that of moonlight shining 

upon Lake Lucerne.[4] Within ten years, the name "Moonlight 

Sonata" ("Mondscheinsonate" in German) was being used in 

German[5] and English[6] publications. Later in the nineteenth 

century, the sonata was universally known by that name.[7]


Many critics have objected to the subjective, Romantic 

nature  of the title "Moonlight", which has at times been 

called "a misleading approach to a movement with almost 

the character of a funeral march"[8] and "absurd".[9] Other 

critics have approved of the sobriquet, finding it 

evocative[10] or in line with their own associations with the 

work.[11]Gramophone founder Compton Mackenzie found 

the title "harmless", remarking that "it is silly for austere 

critics to work themselves up into a state of almost hysterical 

rage with poor Rellstab", and adding, "what these austere 

critics fail to grasp is that unless the general public had 

responded to the suggestion of moonlight in this music 

Rellstab's remark would long ago have been forgotten."[12]

Nenhum comentário:

Postar um comentário